Helen Cammock was born in 1970 in Staffordshire. Film, photography, print, text, song and performance examine mainstream historical and contemporary narratives about Blackness, womanhood, oppression and resistance, wealth and power, poverty and vulnerability, throughout her practice. Her works often cut across time and geography, layering multiple voices as she investigates the cyclical nature of histories in her visual and aural assemblages.

In 2017, Cammock won the Max Mara Art Prize for Women and in 2019 was the joint recipient of The Turner Prize. She has exhibited and performed worldwide with recent solo shows including Bass Notes and SiteLines, Amant, Brooklyn, USA (2023), Helen Cammock: I Will Keep My Soul, Art + Practice, Los Angeles, USA (2023), They Call it Idlewild, Oakville Galleries, Ontario, Canada (2023), behind the eye is the promise of rain, Kestner Gesellshaft, Hannover, Germany (2022), Concrete Feathers and Porcelain Tacks, The Photographer’s Gallery, London, UK (2021), Beneath the Surface of Skin, STUK Art Centre, Leuven, Belgium (2021), Che Si Può Fare (What Can be Done), Whitechapel Gallery, London, UK (2019), Che Si Può Fare, Collezione Maramotti, Reggio Emilia, Italy (2019) and The Long Note, Irish Museum of Modern Art, Dublin, Ireland (2019); VOID, Derry, Northern Ireland (2018). Group shows include Breathing, Hamburger Kunstalle, Hamburg, Germany (2022) and Radio Ballads, Serpentine Galleries, London, UK (2022).

Source: Kate MacGarry, London