Anna Lena von Helldorff’s praxis is based on the principle of collaboration in varying constellations and formats—reflecting on forms of exhibiting, presenting, publishing, making public—she understands graphic design or rather gestaltung as an editing process to communicate and visualize existing and new structures and their content as an act of interpretation, a process of translation—as vital part of society and therefor everyday life—with a focus on the potential relation between language, type, image and meaning—considering the economic conditions in visual production.