From Animal to Mineral

 

15.12.2023—18.2.2024

format

exhibition

dates

14.12.23, 7 pm, opening
mit einem Grußwort von Stadtrat Leo Agerer in Vertretung des Oberbürgermeisters der Landeshauptstadt München und einer Einführung der Kuratorin Magdalena Wisniowska

07.01.24, 15 Uhr, LECTURE
by Prof. Tim Barker (School of Culture & Creative Arts, University of Glasgow) about „World-Objects“, Michel Serres and the philosophy of technology Language: English

14.01.24, 2–4 pm, talk to me
Open discussion format for questions and thoughts on the exhibition with Julia Richter. Without registration

19.01.24, 18 Uhr, EXHIBITION TOUR
with Curator Magdalena Wisniowska. Without registration

02.02.24, 6 pm, EXHIBITION TOUR
the tour was canceled. There will be a curator's tour at the finisage on Sun, Feb 18!

04.02.24, 14–16 Uhr, talk to me
Open discussion format for questions and thoughts on the exhibition with Julia Richter. Without registration

06.02.24, 6.30 pm, INCOMPLETE READING GROUP
For access to the text and further information on the reading group, please email projekt@lothringer13.com.

18.02.24, 5–8 pm, FINISSAGE
with a curator's tour through the exhibition with curator Magdalena Wisniowska

Hall

Now closed

11:00–19:00 h

From Animal to Mineral
Judith Adelmann, Rachel Fäth, Sophia Mainka, Hannah Mitterwallner, Jonathan Penca, Maria VMier
curated by Magdalena Wisniowska

“Animals” are wolfs mainly, rats and the wasp. “Mineral” is everything imperceptible: elements, particles and molecules. To go from animal to mineral is to experience becoming, to step across a threshold and change. 

I began my reading of A Thousand Plateaus, specifically the chapter “1730: Becoming-Intense, Becoming-Animal, Becoming- Imperceptible …” 1 during the corona pandemic, when environmental concerns were at the forefront of almost every media discussion. Defining humanity’s role in nature seemed like an important task and Deleuze and Guattari’s work was useful in addressing the too easy distinction between nature and culture. I liked how Deleuze and Guattari saw the dominance of our species over others as a philosophical problem of autonomy where Man as a thinking being is subject only to the laws of his own construction. For them, the capacity for conscious thought conferred upon Man a dignity denied to other creatures, making their voices unheard. 

Whereas, in A Thousand Plateaus Deleuze and Guattari present nature as an endless variability, the “whole thousand-voiced multiple” of Difference and Repetition 2. Here, nature is a multi-voiced body, where the voices constituting this body resound in each other in a “clamor of Being.” In this din, my voice is one of many and many voices resonate in mine 3. For Deleuze and Guattari, to change the human collective relation, not just to animals, but to earth itself, would demand that we stop hearing just our own voice and become aware of the noise of others. This is the experience of becoming-animal, becoming-imperceptible. It is to shed Man’s mantle and learn how to listen, becoming the voice of many. 

Since 2021 I have realised a series of exhibitions at various locations in responses to different aspects of this chapter of A Thousand Plateaus, whether to its ideas of nature, technology or memory. This exhibition at Lothringer 13 Halle confronts the idea of becoming, specifically in our relation to nature, more directly. In different ways all the artists participating in this exhibition share these concerns, many acutely aware of working in the era of the Anthropocene, where the human impact on the planet can no longer be denied.

To their cluster of voices I add my own, belonging to the writer. The texts I have written over the past few years in response to Deleuze and Guattari’s chapter on becoming are on display throughout the room. The texts resonate with the artwork, and the art inhabits the text. The exhibition is an experiment in the construction of a multi-voiced population, a pack of wolves, a people of rats. 

Magdalena Wisniowska, November 2023

1) Deleuze, Gilles and Guattari, Félix, A Thousand Plateaus, trans. Brian Massumi, (Minneapolis, London: University of Minesota Press, 2005).
2) Deleuze, Gilles, Difference and Repetition, trans. Paul Patton (New York: Columbia University Press, 1994), 304.
3) Ibid.

Reference project/s
In this year's exhibition series Thought in Practice, GiG Munich shows ROBOTA CeLLs by Susanne Kühn in the programme of Various Others 2023
read more
In this year's exhibition series Thought in Practice GiG Munich presents The Flamekeepers by Lilian Robl.
read more
GiG Munich is really happy to continue working with Lothringer 13 again this year, and will begin the new series of exhibitions - Thought in Practice - at the Studio space with the exhibition “Doxa,” by Paul Valentin.
read more